Motion Picture Special Effects Essay -- Film Movie Essays

Motion Picture modified(a) Effects additional visual piths have added to the allure of motion pictures since the primordial old age of cinema. French director Georges Mlis is considered the most potent pi atomic number 53er of special effects. His film A Trip to the Moon combine live action with animation, demonstrating to audiences that cinema could create worlds, objects, and events that did not exist in real life (Tanis par. 1). Through examples of the new techniques and the movies where they were presented, this paper will exposit the changes that special effects have seen over the last twenty-five years.Special effects have been used ever since the film industry became popular. multidimensional film technology became popular in the1950s, when it enjoyed a brief plosive consonant of use (Sklar par. 3). Although motion-picture film, like still photography, normally yields two-dimensional images, the illusion of a third dimension can be achieved by projecting two separate movies. Members of the audience wear 3-D eyeglasses so that the dear eye sees one picture and the left eye sees the other, producing the effect of triple dimensions.Three-dimensional film technology is still being used straightaway at Universal Studios in Florida. When my family visited the amusement park there was a feature 3D film that was rendition of The Terminator. Three-dimensional film has changed, because right away the members of the audience no longer have to wear glasses with one red and one blue lens. Now the glasses are clear, only when still allow the user to get the same three-dimensional effect that they would the red and blue glasses.Another example of the lasting power of early techniques is stop-motion photography. The original King Kong used this technique, in which the King Kong figurine was repeatedly filmed for very brief segments and then moved, so that when the film was intercommunicate at normal speed, King Kong appeared to move. The same technique a nimated the figures in James and the Giant Peach (Nova par. 2).After World War II there was a lull in the development and use of special effects. Technical advances in the design and manufacture of motion-picture cameras made it easier to film on actual locations, and the trend in cinematic storytelling tended toward realism, resulting in less title for fantastic illusions. Then in 1968 the film 2001 A Space Odyssey, in which astronauts ap... ...Works CitedTanis, Nicholas. Motion Picture, Microsoft Encarta Online Encyclopedia 2000 October 12, 2000 <http//encarta.msn.com>.Sklar, Robert. History of Motion Pictures, Microsoft Encarta Online Encyclopedia 2000 October 24, 2000 <http//encarta.msn.com>.Nova Online. The cubic yard Illusion A Century of Special Effects, Nova Online 1996. October 12, 2000 < http//www.pbs.org/wgbh/nova/specialfx/effects/history.html>.Hayes, R.M. Trick cinematography The Oscar Special-Effects Movies. North Carolina McFarland, 1986.Erland, Jonat han, and Kay Erland. The Digital Series Traveling Matte Backings Composition Components society October 12, 2000 <http//www.digitalgreenscreen.com/NoFrame/ tmatte.html>.Thalmann, Nadia, and Daniel Thalmann, eds. New Trends in Animation and Visualization. New York Wiley, 1991.La Franco, Robert. Digital Dreamin. Forbes Sept. 1998 223.Kaplan, David A. thou Illusions. Newsweek Online 1996 October 12, 2000 <http//www.newsweek.com>.Howstuffworks Online. Developing The Matrix, Howstuffworks Online. 1999. October 14, 2000 <http//howstuffworks.com/framed.htm?parent=Matrix>.