Insurgency and Counterinsurgency in Cinema Essay Example for Free

Insurgency and Counter insurgency in Cinema leavenBoth the films Braveheart and V for blood feud explore the issues of insurgent and counterinsurgent behavior but do so in slightly differing terms. As an important note, we have to take into consideration that the time periods in which both films atomic number 18 set cannot be even more than(prenominal) different. Braveheart, the struggle of the legendary Scottish figure William Wallace, is set amidst the trials and tribulations of nerve centre Age England. On the other hand, V for blood feud takes place in a not-too-distant version of new-fashioned day England. From this understanding comes the realization that while both films attempt to char achievementerize the power struggle amid those who have it and those who do not, there is a curious discrepancy in the way that the characters within those films positioning their plights. Mel Gibson, who directs Braveheart, chose to present insurgency as the righteously apt opti on against the tyrannical rule of England against the Scots. It is heavily implied in the film that because the English has continuously abused its countenance as against their constituents, that it is but proper for the beleaguered Scots to bob up up and protect themselves from further maltreatment.The most striking characterization of this abuse happens early on when the ennoble of the land uses his authoritarian privilege of primae noctis, allowing him to take the virginity of a newly-wed. It is of course the wife of William Wallace in the film that come up victim to this exercise. Braveheart thus sets forth the idea that the collective abuse wrought on by an extraterrestrial authority or figure upon a group of people is enough justification for a moral uprising, which in this case an armed one.William Wallaces merry band of Scottish insurgents is clearly the skillful ones whereas army Edward I of England is the very facade of evil as his method of counterinsurgency is si ngularly fueled by his belief that his authority is supreme. V for Vendetta takes quite the different approach. Foremost, the insurgency presented in V is originally lonesome, with the titular character going on a one-man crusade against a tyrannical caller authority in 2027 England when it seems the rest of the world has succumbed to the flaws of democracy.In this film, the subjugation of freedom by the central authority is not necessarily carried out for the purposes of vanity or glory. Unlike in Bravehearts Edward I, V for Vendettas Chancellor Sutler, while still very clearly presented as morally corrupt, actually believes that his troupes style of governance is for the greater good. Meanwhile, the films protagonist, or antihero as the case may be, V, appears to be as morally corrupt as the figure he is struggling against, resorting to the use of bit and outright murder. This is a far cry for Mel Gibsons interpretation of William Wallace, who is portrayed almost like a sword -saint.Clearly, both films attempt to portray their central characters as victims of circumstance, with Wallace as the distraught husband and V a survivor of governmental subjugation and that both are somehow motivated by sentiments of revenge. In a simple conclusion however, it is very interesting to propose the notion that Bravehearts version of insurgency is more akin to a moral rebellion while V for Vendettas version edges side by side(predicate) to terrorism with a cause. Bonus Question Of Cinematic Appeal I found V for Vendetta as more cinematically appealing than Braveheart.While Braveheart is an epic adventure that has a very satisfying good vs. evil template powering its message, V for Vendettas morally ambiguous structure is far more interesting. Just as the Alan Moore graphic novel original, the film adaptation of V for Vendetta is not and a visual masterpiece, but it is a prime subject for further discussion. In a way, I find that while V for Vendetta is very clearly e asy on the eyes, it is not so easy on the brains. This is a complimentary observation for me because viewers, depending on their pre-conceived notions or biases, can take on differing sides of the moral dilemmas presented.As I watched V for Vendetta, I asked myself several times, Isnt V just a terrorist? Then I realized that for V, maybe that wasnt the case at all. Mid-Term Questions 1. Compare and contrast the spare-time activity concepts a) Insurgency and Counterinsurgency Insurgency constitutes an armed uprising by a group with no unmingled vested authority against a duly-recognized power. Meanwhile, counterinsurgency is the means by which the besieged authority attempts to quell the insurgency unremarkably by way of combat. In casual terms, insurgency is the act of rebel forces while counterinsurgency is the act of government.b) Insurgency and Terrorism While insurgency covers the broad notion of an armed struggle following a somehow systemic way of combat against an opposin g force, terrorism is likewise the use of lethal force with no apparent target. In a way, terrorism is a way to inflict terror, possibly to heat fear and paranoia amongst a populace, leading to concessions by the governing authority. c) Insurgency and Guerilla Warfare Guerilla war is a style of combat characterized by small groups using non-conventional means of warfare such as ambushes, hit-and-run tactics, but rarely acts of terrorism.Most insurgent groups prefer guerilla-style warfare early on in their struggles as they lack logistical support and manpower. 2. Briefly outline the four-stage model created by Dr. Polk in the restrain entitled, Violent Politics, to study the insurgency movements around the world. William Folk basically argues that any foreign occupation provides for the required ingredients for insurgency in the occupied land. This insurgency tends to favor the use of terrorist acts as a means to contribute its struggle which in turn merits the response of the occupying power.As the cycle of terrorism-counterterrorism continues and builds up, a point is reached wherein the initial insurgency evolves into full-blown rebellion. 3. Briefly discuss Foucaults concept of power and its impact on how people view what is design and what is deviant. (15 points) Foucaults concept of power is the exercise of intention. He claims that as power is everywhere, that intention is likewise everywhere. The ubiquitousness of intention influences the perceptions of the everyman, does giving birth to socially-agreed definitions or norms regarding deviance and normalcy.